“Artworks are sensed and perceived via the same neuronal machinery. These are the anatomical routes primarily developed for interacting with, and comprehending, “reality”. These mechanisms evolved to help us acquire and analyze sensory information from the world around us. Consequently, they enable us to behave successfully and adaptively in an ever-changing environment”. John Dowling
The visual system filters the enormous amount of data streaming into it. It organizes and puts order to this data. Interestingly, at the early stages of visual processing, the visual scene is divided into its basic elements. These elements include spots of light, lines, edges, simple forms, colors, and movement.
Being an efficient learning machine, our brain uses bidirectional (“top-down” and “bottom-up”) processing schemes and algorithms for visual scene analysis. Namely, we first build (predict) a tentative model of the visual world. This is an optional representation. We then verify and update this model with increased accuracy against the “evidence” presented by the sensory stimulus.
John Dowling’s artworks could also be only partially faithful representations of our daily visual experience. They can be “free” from obeying the laws of physics. Apparently, we categorize some inputs as artworks while others as non-art. We make this distinction based on contextual, cultural, and perceptual parameters.
Abstract art does not exemplify objects or entities familiar to our visual system during daily life experiences. Still, abstract art uses the same system for perception. This system was developed primarily to represent real-world objects functionally. This places abstract art in a unique position within visual processing—far from the natural (“survival”) role of that system.
Modern brain research assumes that each action in mental, cognitive, and emotional realms follows a specific pattern. This pattern correlates with specific brain activities. Art allows the viewer to detach from “reality.” This detachment provides certain rewards to the art-lover. Abstract art may therefore encourage our brain to respond in a less restrictive and stereotypical way. It might explore new associations. It could activate alternative paths for emotions. It can form new and possibly creative links in our brain.
John Dowling’s abstract art frees our brains from the dominance of reality. It enables the brain to flow within its inner states. It creates new emotional and cognitive associations. Abstract art activates brain states that are otherwise harder to access.
Abstract art has the power to evoke a wide range of emotions, from tranquility and joy to introspection and contemplation. Abstract artworks can evoke a sense of wonder and curiosity, inviting viewers to explore their own emotions and interpretations. Abstract art inspires self-reflection. It encourages individuals to tap into their inner thoughts. It helps individuals contemplate the complexities of existence.
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