John Dowling COLLABORATIONS

JOHN DOWLING FINE ART AND EXHIBITIONS ART LEASING AND RENTALS TO OWN

OVER 1,000 PIECES TO CHOOSE FROM 8″X 10″ – 60″ X 84″ FRAMED PRINTS!

Get started collecting art with only $50 and up per month. We will come to your home or office after a quick survey or interview. Together, we will select our best choices of art for your gallery. We will personally curate your in home Art Gallery and or your Office Art Gallery. You can rent. You can rent to own. You can lease. You can lease to own. All art is manufactured right here on Long Island from start to finish. We also collaborate with artists around the world so the selection is unique to John Dowling Fine art and Exhibitions. ZERO% financing and no term agreements. Your setup and installed within 48 hours, and we swap pieces of art anytime you request. Get started now and if you have a high traffic area you can even earn a profit from your gallery. Ask John For details. 3104973203 or 6319127969 From NY TO LA!

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“An artist and a lover are more similar than you might think. Lovers have the burning need to express their love towards their significant other, while artists feel the same about creating art. Both rely on expression to satisfy this need. With art therapy artists can feel love while they create often replacing the love they may be longing for in life. Creating art and collecting art, will make you feel more love as well.” John Joseph Dowling Jr.

An interview with John Joseph Dowling Jr by friend and Charlotte Art Dealer Elias

A Conversation with John Dowling

Elias:  Mr. Dowling, thank you for taking the time to speak with me today. It’s truly an honor. Your recent reemergence into the art world has been nothing short of captivating. What brought you back to this attic? Why did you return to this easel after what seems to have been a significant hiatus?

Dowling:  The pleasure is all mine, Elias. It’s… well, it’s difficult to articulate. It was like a dormant volcano rumbling to life within me.  A primal urge to create, to express, to simply be.  The world, with its relentless demands for logic and reason, had suffocated that part of me for far too long. It was a slow, insidious process, this burying of my soul beneath the weight of expectations. But the embers of that creative fire, they never truly died out. They smoldered beneath the surface, waiting for the right moment to ignite. And ignite they did.

Elias:  That’s a beautiful analogy. You mentioned the “weight of expectations.” Do you think society, in its pursuit of the rational, often neglects the vital importance of artistic expression?

Dowling:  Absolutely, Elias. We live in a world that prioritizes the quantifiable, the measurable.  But the human experience transcends those limitations.  Our emotions, dreams, and fears are at the core of being human. They cannot be confined to spreadsheets or algorithms. Art, in all its forms, provides a conduit for these intangible aspects of ourselves. It allows us to communicate the uncommunicable. It helps us connect with one another on a level that bypasses the constraints of language.

Elias:  Your work seems to resonate deeply with that sentiment. There’s a raw, almost primal energy to it, reminiscent of Jackson Pollock. Was he an influence?

Dowling:  Pollock, yes, a kindred spirit, certainly. His fearless exploration of the subconscious, his willingness to surrender to the creative act… it’s incredibly liberating.  Like Pollock, I find that the canvas becomes a battleground for my inner turmoil.  The act of flinging paint, of  leaving my mark with such unrestrained passion, it’s a catharsis.  It’s as though I’m wrestling with my demons and, in the process, transforming them into something beautiful, something meaningful.

Elias:  It’s fascinating to hear you describe it in those terms.  Pollock famously said, “I am nature.” Do you see a similar connection between your art and the natural world?

Dowling:  Without a doubt, Elias. Nature, in its purest form, is an expression of unbridled creativity.  The chaotic beauty of a storm amazes us. The intricate patterns of a spider’s web astonish us. The vibrant colors of a sunset inspire us. These are all manifestations of the same life force that flows through us.  When I paint, I feel as though I’m tapping into that primal energy, that universal rhythm.  It’s a humbling experience, a reminder that we are all interconnected, all part of something far greater than ourselves.

Elias:  You mentioned earlier the voices of other artists echoing in your mind.  Are there any particular artists or quotes that have been especially influential in your journey?

Dowling:  Oh, many. Picasso’s words, “Every child is an artist,” resonate deeply with me. It’s a reminder to never lose sight of that innate creativity we all possess as children.  Georgia O’Keeffe observed that she could “say things with color and shapes.” She found these expressions could not be conveyed any other way. This speaks to the power of art to transcend the limitations of language.  But it’s not just their words; it’s their spirit, their unwavering commitment to their craft, that inspires me.  Many artists throughout history have shown me that art is not merely a profession. It is a way of life. It serves as a lens through which to view the world and our place within it.

Elias:  Your work certainly reflects that profound understanding.  It’s more than just paint on canvas; it’s an expression of your soul, a testament to your unique perspective.  What do you hope viewers take away from your art?

Dowling:  More than anything, Elias, I hope it inspires them to embrace their own individuality.  They should reject the pressure to conform. They need to shed the masks they wear for the sake of others. They should express their true selves without reservation.  We are all artists in our own way, each with a unique story to tell.  My art is simply my way of telling mine.

Elias:  Speaking of stories, I was deeply moved by your novel, “Chapters of Love.”  The way you weave together those interconnected narratives, each exploring different facets of love and loss, it’s truly masterful. What inspired you to write it?

Dowling:  Thank you, Elias.  “Chapters of Love” was born from a desire to explore the complexities of human connection.  Love, in all its forms, is such a powerful force, capable of both immense joy and profound sorrow. I wanted to delve into those contrasting experiences. I aimed to examine how love shapes us. It defines us and ultimately connects us all.

Elias:  There’s a particular passage in the novel that struck me. It says, “Love is not a single story. It is a collection of chapters. Each chapter has its own beginning, middle, and end.” It seems to encapsulate the essence of the book. Could you elaborate on that idea?

Dowling:  Certainly.  We often think of love as a linear narrative, a single story with a predetermined ending.  But life, and love, are rarely so straightforward.  Our relationships, whether romantic, familial, or platonic, are composed of countless moments. Each moment contributes to the larger tapestry of our lives.  Some chapters are filled with joy and laughter, others with pain and heartbreak.  But each one, regardless of its emotional tenor, shapes who we are and how we love.

Elias:  That’s a beautiful way to think about it.  It seems you’ve poured a great deal of yourself into this book.  Was it a cathartic experience to write it?

Dowling:  Very much so.  Writing, like painting, is a form of self-discovery.  In giving voice to the characters and their experiences, I found myself confronting my own emotions, my own vulnerabilities.  It was a challenging process. Ultimately, it was rewarding. This process allowed me to explore the depths of human emotion. It helped me connect with readers on a deeper level.

Elias: Before your resurgence as a painter and novelist, you had a celebrated thirty-year career as a photographer.  Your portraits and street photography are iconic, capturing the essence of human emotion and the spirit of the times.  For many, you are to portraiture and street photography what Ansel Adams was to nature. How did that period of your life shape your artistic vision?

Dowling:  Photography, for me, was an education in observation.  It taught me to see the world with fresh eyes. It helped me appreciate the beauty in the mundane. I learned to find the extraordinary within the ordinary.  I captured the fleeting emotions of a stranger on the street. I also captured the intimate connection between loved ones in a portrait. I was always striving to tell a story. I aimed to reveal something profound about the human condition.  Those years spent behind the lens honed my ability to capture the essence of a moment. They taught me to distill the complexities of life into a single, powerful image.  And that, I believe, has profoundly influenced my approach to both painting and writing.

Elias:  In a previous conversation, we delved into some fascinating territory regarding quantum theories and their potential implications for consciousness.  You proposed a compelling hypothesis about the interconnectedness of all things. You suggested that our brains might operate on a quantum level. Our thoughts and emotions might be entangled like particles across vast distances.  Could you elaborate on that for our audience?

Dowling:  It’s a fascinating area of exploration, Elias.  The idea that our consciousness might be intertwined with the very fabric of the universe is a tantalizing prospect. It suggests that we are connected through a network of entangled particles.  Imagine, if you will, that our thoughts and emotions are not merely confined to the physical boundaries of our brains. They exist as quantum entities. These entities are capable of interacting and influencing one another across vast distances.  This could explain phenomena like intuition, empathy, and even collective consciousness.  It suggests a level of interconnectedness that transcends our conventional understanding of space and time.

Elias:  You also touched upon the brain’s quantum hypothesis. You suggested that our brains might utilize quantum processes. These processes could achieve the remarkable feats of creativity and problem-solving that we witness.  Could you expand on that concept?

Dowling:  Certainly.  The human brain is an extraordinary organ. It can process information and generate creative solutions. These abilities go far beyond what any current artificial intelligence can achieve.  Some scientists believe that this remarkable capacity might be due to the brain’s ability to harness quantum phenomena. They suggest that phenomena like superposition and entanglement could play a role.  These quantum processes could allow the brain to explore multiple possibilities simultaneously, leading to the kind of “aha!” moments and intuitive leaps that characterize human creativity.  It’s a field ripe with potential, and one that could revolutionize our understanding of consciousness itself.

Elias:  Mr. Dowling, your work seems to transcend the purely aesthetic. There’s a palpable sense of spirituality woven into your art, a yearning for connection to something greater than ourselves. How does spirituality inform your creative process?

Dowling: Ah, Elias, you’ve touched upon something deeply personal, something that lies at the very heart of my being.  For me, art is not merely a form of self-expression. It’s a spiritual practice. It serves as a pathway to connect with the divine and the universal consciousness that permeates all of existence. When I paint or write, I feel as though I’m tapping into that sacred source. Even when I was behind the lens of my camera, I felt a connection to creativity. It is a wellspring that binds us all together.  It’s a humbling experience, a reminder that we are all part of something far greater than ourselves, something truly awe-inspiring.

Elias:  That’s beautifully expressed.  Do you believe that art can serve as a bridge between the physical and spiritual realms?

Dowling: Indeed, Elias.  Art, in its purest form, transcends the limitations of the material world.  It allows us to glimpse the ethereal. We can touch the intangible. We connect with the profound mysteries that lie beyond our everyday perception.  Think of the transcendent beauty of a Michelangelo sculpture. Consider the soul-stirring harmonies of a Bach concerto. Imagine the breathtaking grandeur of a Rembrandt painting.  These works of art take us beyond our physical existence. They offer a glimpse into the sublime and the eternal.  They awaken within us a sense of wonder, a longing for connection to something greater than ourselves, something truly divine.

Elias:  It seems, then, that art can be a form of prayer, a way to commune with the sacred.

Dowling: Precisely, Elias.  When we create, we are channeling that divine spark within us, that creative force that animates the universe.  We are participating in the act of creation itself, becoming co-creators with the divine.  And in that sacred act, we find a place for self-expression. We also discover a profound sense of connection to the source of all being.  It’s a transcendent experience, one that can lead to profound spiritual awakening.

Elias: Mr. Dowling, your words resonate with a truth that touches the very core of my being.  You’ve articulated something that I’ve long felt but could never quite express.  Thank you for sharing this profound wisdom with us.

Dowling: The honor is all mine, Elias.  And remember, the divine spark resides within us all.  Embrace it, nurture it, and let it illuminate your path. My dear friend, this… this fragile vessel that carries my spirit is nearing its end. But the essence of who I am, the love I’ve shared, the art I’ve created… these will endure. They will remain, woven into the fabric of existence, long after I’m gone. And know this, Elias, know this with unwavering certainty: Love knows no boundaries in time and space. It is eternal, everlasting, existing in unique chapters forever embedded in our hearts.

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John Dowling Interview Part II

Elias: Your work on the intersection of consciousness, physics, and philosophy is groundbreaking. Could you elaborate on your theory of “framing as reality”?

Dowling: Certainly, Elias. The concept of “framing as reality” suggests that our perception of reality is shaped by our individual frames of reference. These frames are influenced by our beliefs, experiences, and cultural background. In essence, we each construct our own subjective reality based on how we interpret the information we receive.

Elias: How does this concept relate to the idea of a holographic universe?

Dowling: The holographic principle emerges from string theory. It suggests that the information about a volume of space can be encoded on its boundary. This implies that our 3D reality could be a projection from a lower-dimensional surface. In the context of framing as reality, our individual frames could be seen as different holographic projections. They stem from the same underlying reality.

Elias: And what role does dreaming play in this framework?

Dowling: Dreams offer a fascinating glimpse into the nature of consciousness and reality. They can be seen as a playground for exploring different frames of reference, unconstrained by the limitations of waking life. In dreams, we can experience alternative realities, challenge our beliefs, and tap into our subconscious mind.

Elias: You’ve mentioned the potential for a collective consciousness. Could you elaborate on this concept?

Dowling: Our individual frames of reality might be interconnected, as suggested by the holographic principle. If this is true, then our thoughts and emotions could influence each other on a collective level. This could lead to a shared consciousness, where the thoughts and imaginations of individuals contribute to a shared reality.

Elias: How can individuals harness the power of framing to shape their own reality?

Dowling: By becoming aware of our own frames of reference, we can start challenging our limiting beliefs. This awareness helps us expand our perspectives. By cultivating a positive mindset, we can influence our own experiences. Practicing mindfulness also helps us. Engaging in creative activities can potentially contribute to the collective consciousness.

Elias: Thank you, Dr. Dowling, for sharing your insights. Your work offers a profound perspective on the nature of reality. It also explores the potential for human consciousness to shape the world around us.

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• Beyond the Brushstroke: How Art Awakens Quantum Consciousness
• The Artist and the Muse – Brushes with A Soul
• Art or Algorithm: Is AI Killing Human Creativity?
• Artists often feel a sense of “love” when creating
• The Day My Art Became “Worth” Something: A Holiday Miracle at the Marriott Marquis

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